On now at the prestigious Gallerie dell’Accademia di Venezia and Palazzo Manfrin is Anish Kapoor‘s first public display of the controversial Vantablack technology alongside a particularly bloody ode to the boundaries between reality and surreality. Split between the two sites are equally-sized retrospective exhibitions of the British Jewish-Indian artist’s work as curated by Rijksmuseum director Taco Dibbits. The breadth is far more […]
